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This enumerative bibliography includes articles, chapters, books but also individual letters, films, conference papers, theses, and websites related to Oscar Wilde’s short story collections The Happy Prince and Other Tales(1888), Lord Arthur Savile’s Crime and Other Stories (1891), and A House of Pomegranates (1891) as well as “The Portrait of Mr W.H.” (1889).


A Giant’s Garden : Special ‘Fairy Tales’ Issue. 12 Oct. 2010, https://web.archive.org/web/20101012231032/http://www.oscholars.com/TO/Specials/Tales/ToC.htm.

Ablow, Rachel. “Oscar Wilde’s Fictions of Belief.” Novel, vol. 42, no. 2, Aug. 2009, pp. 175–82. DOI.org (Crossref), https://doi.org/10.1215/00295132-2009-002.

---. “Oscar Wilde’s Fictions of Belief.” Novel: A Forum on Fiction, vol. 42, no. 2, 2009, pp. 175–82. Zotero, https://doi.org/10.1215/00295132-2009-002.

Ackroyd, Peter. Foreword: The Portrait of Mr. W.H. by Oscar Wilde. Hesperus Press, 2003.

Al–Attar, Jameela Khedher. “Pomegranates as a Symbol of Sin in Oscar Wilde’s A House of Pomegranates.” Al-Ma’mon College Journal, no. 16, 2010, pp. 338–45.

Archive.org. “The O’Scholars: A Giant’s Garden: Special ‘Fairy Tales’ Issue.” Wayback Machine, 18 Dec. 2016, https://web.archive.org/web/20101012231032/http://www.oscholars.com/TO/Specials/Tales/ToC.htm.

Balog, Erica. “The Adaptability of Propp’s Method for the Morphological Analysis of Oscar Wilde’s Fairy Tales.” Studia Russica, vol. 16, 1996, pp. 293–319.

Bartle, Chris. “Pederasty and Sexual Activity in Oscar Wilde’s The Happy Prince and Other Tales.” Victorian Network, vol. 4, no. 2, 2012, pp. 87–106, https://doi.org/10.5283/vn.39.

Bashford, Bruce. “Hermeneutics in Oscar Wilde’s ‘The Portrait of Mr W.H.’” Papers on Language and Literature, vol. 50, no. 1, 1988, pp. 412–22.

Beckson, Karl. The Critical Heritage of Oscar Wilde. Routledge, 2005.

Bibliography of Criticism of Wilde’s Fairy Tales. 14 Oct. 2010, https://web.archive.org/web/20101014201958/http://www.oscholars.com/TO/Specials/Tales/Bibliography.htm.

Binder, Leandra Elisabeth. Text and Paratext in Oscar Wilde’s “A House of Pomegranates.” 2007, https://digitalscholarship.unlv.edu/rtds/2280.

Blackwood, William. “Signed Letter to Oscar Wilde, 45 George Street, Edinburgh, 4 June 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 401n.

---. “Signed Letter to Oscar Wilde, 45 George Street, Edinburgh, 9 July 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 405n.

---. “Signed Letter to Oscar Wilde, 45 George Street, Edinburgh, 10 June 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 402n.

---. “Signed Letter to Oscar Wilde,45 George Street, Edinburgh, 20 May 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 400n.

---. “Signed Letter to Oscar Wilde,45 George Street, Edinburgh, 20 May 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 400n.

Bonniord, Julie. Performativité et Construction Identitaire Dans Lord Arthur Savile’s Crime and Other Stories d’Oscar Wilde. 2013. Université Angers, Master’s Dissertation supervised by Emmanuel Vernadakis, https://dune.univ-angers.fr/fichiers/20114409/20132MALLC1411/fichier/1411F.pdf.

Boyiopoulos, Kostas. “Brilliancy and Mimicry: Epigrammatic Wit in Oscar Wilde, Max Beerbohm, and Ada Leverson.” 95802, edited by Kostas Boyiopoulos and Michael Shallcross, Brill Academic Publishers, 2019. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=202018520640&lang=es&site=ehost-live.

Bristow, Joseph. “Introduction: Oscar Wilde and the Cultures of Childhood.” Oscar Wilde and the Cultures of Childhood, Palgrave Macmillan, 2017, pp. 1–40, https://doi.org/10.1007/978-3-319-60411-4_4.

---, editor. Oscar Wilde and the Cultures of Childhood. Springer International Publishing, 2017. DOI.org (Crossref), https://doi.org/10.1007/978-3-319-60411-4.

---. “Oscar Wilde, the Fairy Tale, and the Illustrated Book, 1888-1928.” Celebrating the Mark Samuels Lasner Collection: Rare Books and Manuscripts, Victorian Literature and Art, 2017, http://udspace.udel.edu/handle/19716/21195#files-area.

Bristow, Joseph, and Rebecca N. Mitchell. Oscar Wilde’s Chatterton: Literary History, Romanticism, and the Art of Forgery. Yale University Press, 2015.

Budziak, Anna. Text, Body and Indeterminacy: Doppelgänger Selves in Pater and Wilde. Cambridge Scholars Publishing, 2009.

Cameron, Rachael. “Oscar Wilde’s ‘The Young King’: The Fairy Tale as Countermemory.” Australian Folklore: A Yearly Journal of Folklore Studies, vol. 17, Nov. 2002, pp. 53–67. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2005970416&lang=es&site=ehost-live.

Campbell, James. “Sexual Gnosticism: The Procreative Code of ‘The Portrait of Mr. W.H.’” Wilde Discoveries : Traditions, Histories, Archives, edited by Joseph Bristow, University of Toronto Press, 2013, pp. 169–89. DOI.org (Crossref), https://doi.org/10.3138/9781442665699-010.

Clausson, Nils. “Lady Alroy’s Secret: ‘Surface and Symbol’ in Wilde’s ‘The Sphinx without a Secret.’” The Wildean: A Journal of Oscar Wilde Studies, vol. 28, 2006, pp. 24–32.

Clayworth, Anya. “‘Of Making Many Books’: Ian Small on Wilde.” The Wildean, no. 19, 2001, pp. 66–68, http://www.jstor.org/stable/45269377.

---. “Oscar Wilde and Macmillan and Co.: The Publisher and the Iconoclast.” English Literature in Transition 1880–1920, 2001, pp. 64–78.

Cohen, Philip K. “Marriages and Murders: ‘Lord Arthur Savile’s Crime’ and ‘The Canterville Ghost.’” Short Story Criticism, 2005, pp. 53–70.

---. The Moral Vision of Oscar Wilde. University of Wisconsin, 1976.

Cooper, John. “The Happy Prince (2018).” The Oscar Wilde Blog, 13 Oct. 2018, https://oscarwildeinamerica.blog/2018/10/13/the-happy-prince-2018/.

Danson, Lawrence. “Oscar Wilde, W. H., and the Unspoken Name of Love.” ELH, vol. 58, no. 4, 1991, p. 979. DOI.org (Crossref), https://doi.org/10/d4dtts.

de Saix, Léon Guillot. Le Chant Du Cygne: Contes Parlés d’Oscar Wilde. Garland Pub., 1979, https://books.google.es/books?id=DdYqAAAAMAAJ.

Dentith, Simon. “‘A Story with a Moral’: Varieties of Narrative and Significance in Wilde’s Fairy Stories.” The Importance of Being Misunderstood: Homage to Oscar Wilde, edited by Giovanna Franci and Giovanna Silvani, Patron Editore, 2003, pp. 269–83.

Dryden, Linda. “Oscar Wilde: Gothic Ironies and Terrible Dualities.” The Modern Gothic and Literary Doubles: Stevenson, Wilde and Wells, edited by Linda Dryden, Palgrave Macmillan UK, 2003, pp. 110–46. Springer Link, https://doi.org/10.1057/9780230006126_5.

Duffy, John-Charles. “Gay-Related Themes in the Fairy Tales of Oscar Wilde.” Victorian Literature and Culture, vol. 29, no. 2, 2001, pp. 327–49, https://doi.org/10.1017/S1060150301002054.

Edelson, Maria. “The Language of Allegory in Oscar Wilde’s Fairy Tales.” Short Story Criticism, vol. 2, 1988, pp. 407–10.

Erkan, B. Ayça Ülker. “Subversive Desire in Oscar Wilde’s Fairy Tale ‘The Happy Prince.’” Interactions: Ege Journal of British and American Studies/Ege İngiliz ve Amerikan İncelemeleri Dergisi, vol. 20, no. 1–2, Spring-Fall 2011, pp. 143–52. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2012700100&lang=es&site=ehost-live.

Edwards, O. D. The Fireworks of Oscar Wilde. Barrie & Jenkins, 1989, https://books.google.es/books?id=ExdoPwAACAAJ.

Foss, Chris. “‘For the Future Let Those Who Come to Play With Me Have No Hearts’: The Affect of Pity in Oscar Wilde’s ‘The Birthday of the Infanta.’” Journal of Narrative Theory, vol. 47, no. 3, Fall 2017, pp. 337–55. MLA International Bibliography, EBSCOhost, https://doi.org/10/gh6xfr.

Frankel, Nicholas. “Introduction.” The Short Stories of Oscar Wilde: An Annotated Selection, Harvard University Press, 2020, pp. 1–30.

---. “On Lying as a Way of Knowing: A Portrait of ‘The Portrait of Mr. W. H.’” Fakes and Forgeries, edited by Peter Knight and Long, Jonathan, Cambridge Scholars Press, 2004, pp. 254–58.

---. Oscar Wilde’s Decorated Books. University of Michigan Press, 2000.

---. “Portraiture in Oscar Wilde’s Fiction.” Etudes Anglaises, vol. 69, no. 1, 2016, pp. 49–61, https://doi.org/10/gh6xfv.

Gantar, Jure. The Evolution of Wilde’s Wit. Palgrave Macmillan, 2015.

Google Books Ngram Viewer. Happy Prince and Other Tales, A House of Pomegranates, Lord Arthur Savile’s Crime; 30 Mar. 2023, https://books.google.com/ngrams/graph?content=Happy+Prince+and+Other+Tales%2CA+House+of+Pomegranates%2CLord+Arthur+Savile%27s+Crime&year_start=1800&year_end=2019&corpus=en-2019&smoothing=3.

Gordon, Jan B. “‘The Wilde Child’: Structure and Origin in the Fin-de-Siecle Short Story.” English Literature in Transition, 1880–1920, vol. 15, no. 4, 1972, pp. 277–90.

Green, Stephanie. “Grave Desires: Sexual Alterity and Gothic Romance in Oscar Wilde’s The Canterville Ghost.” Australasian Victorian Studies Annual, vol. 3, no. 1, 1997, pp. 71–79. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2002140276&lang=es&site=ehost-live.

Griswold, Jerome. “Sacrifice and Mercy in Wilde’s ‘The Happy Prince.’” Children’s Literature, vol. 3, no. 1, 1974, pp. 103–06. DOI.org (Crossref), https://doi.org/10/gh6xfh.

Guy, Josephine M., and Ian Small. Oscar Wilde’s Profession: Writing and Culture Industry in the Late Nineteenth Century. Oxford University Press, 2000.

Hennegan, Alison. “Hea[r]Th and Home: Wilde Domestic Space.” Signs: Journal of Women in Culture and Society, vol. 27, no. 3, Mar. 2002, pp. 881–91. DOI.org (Crossref), https://doi.org/10.1086/337931.

Hernández Guerrero, María José. “La traduction chez Schwob.” Çédille: Revista de Estudios Franceses, vol. 15, no. 3, 2007, pp. 217–25, https://doi.org/10.21071/ced.v3i.5367.

Holland, Merlin. A Portrait of Oscar Wilde: From the Moreira Salles Collection of Literary Manuscripts. Privately printed for Lucia Moreira Salles, 2008.

Holland, Vyvyan. “Once Upon a Time... A Critical Note on Oscar Wilde’s Fairy Stories.” The Adelphi, vol. 30, no. 3, 1954, pp. 241–51.

Hou, Jing. “The Aesthetic Experiment of Oscar Wilde in A House of Pomegranates.” Theory and Practice in Language Studies, vol. 4, no. 10, Oct. 2014, pp. 2168–72. DOI.org (Crossref), https://doi.org/10/gh6xfm.

Jernigan, Brandon. “‘Suffer the Little Children’: Irish Revivalism in the Fairy Tales of Oscar Wilde.” Children, Childhood and Irish Society: 1500s to the Present, edited by Maria; Luddy and James Smith, Four Courts Press, 2014, pp. 277–90.

Jones, Justin T. “Morality’s Ugly Implications in Oscar Wilde’s Fairy Tales.” SEL Studies in English Literature 1500-1900, vol. 51, no. 4, 2011, pp. 883–903. DOI.org (Crossref), https://doi.org/10/gh6xfg.

Jones, Rebecca Elizabeth. Catching All Passions in His Craft of Will : Portraits and Pater in Oscar Wilde’s “The Portrait of Mr.W .H .” 2016.

Kalinichenko, V., and Ya Zgurovska. “Allusions Functioning in Oscar Wilde’s Short Stories.” ВІСНИК ДНІПРОПЕТРОВСЬКОГО УНІВЕРСИТЕТУ ІМЕНІ АЛЬФРЕДА НОБЕЛЯ. Серія «ФІЛОЛОГІЧНІ НАУКИ», vol. 1, no. 9, 2015, pp. 135–42.

Kamerer, Lindsey Brooke. “‘Love Is Better than Wisdom and More Precious than Riches’: The Influence of Greek Love on the Fairy Tales of Oscar Wilde.” The Victorian, vol. 1, no. 1, 2013, pp. 1–25. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2013140606&lang=es&site=ehost-live.

Kessler, Jeffrey C. “Oscar Wilde’s Imaginary ‘Portrait of Mr. W.H.’” English Literature in Transition 1880-1920, vol. 61, no. 3, 2018, pp. 352–73. MLA International Bibliography.

Killeen, Jarlath. “Introduction: Widle’s Aphoristic Imagination.” Oscar Wilde, edited by Jarlath Killeen, Irish Academic Press, 2011, pp. 1–23.

---. “Introduction: Wilde’s Aphoristic Imagination.” Oscar Wilde, edited by Jarlath Killeen, 2010, pp. 1–23.

---. “Oscar Wilde in the Fourth Dimension: Ghosts, Geometry, and the Victorian Crisis of Meaning.” The Routledge Handbook to the Ghost Story, Routledge, 2017, pp. 49–58.

---. Teaching Oscar Wilde: “The Portrait of Mr W.H” and the Crisis of Faith in Victorian England and English Studies.Pdf. Modern Language Association, 2008, pp. 196–203.

---. The Fairy Tales of Oscar Wilde. Ashgate, 2007.

---. The Faiths of Oscar Wilde: Catholicism, Folklore and Ireland. Springer, 2005.

King, Frederick D. “‘The Portrait of Mr. W. H.’ and Oscar Wilde’s Revisionist History of Same-Sex Desire.” Quintessential Wilde: His Wordly Place, His Penetrating Philosophy and His Influential Aestheticism, edited by Annette M. Magid, Cambridge Scholars Publishing, 2017, pp. 204–27. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2017580627&lang=es&site=ehost-live.

King, Mary C. “Origins, Interpellations and Decadence in ‘The Birthday of the Infanta.’” A Giant’s Garden : Special ‘Fairy Tales’ Issue, 14 Oct. 2010, https://web.archive.org/web/20101014195213/http://www.oscholars.com/TO/Specials/Tales/Birthday_King.htm.

Kirkpatrick, Heather. “The Word Made Flesh: Christ and the Artist in Oscar Wilde’s Fairy Tales.” A Giant’s Garden : Special ‘Fairy Tales’ Issue, 14 Oct. 2010, https://web.archive.org/web/20101014195548/http://www.oscholars.com/TO/Specials/Tales/Christ_Kirkpatrick.htm.

Kooistra, Lorraine Janzen. “Wilde’s Legacy: Fairy Tales, Laurence Housman, and the Expression of ‘Beautiful Untrue Things.’” Oscar Wilde and the Cultures of Childhood, edited by Joseph Bristow, Springer International Publishing, 2017, pp. 89–118. Springer Link, https://doi.org/10.1007/978-3-319-60411-4_4.

Kotzin, Michael C. “‘The Selfish Giant’ As Literary Fairy Tale.” Studies in Short Fiction, vol. 16, no. 4, 1979, pp. 301–09.

Lane, John. “Signed Letter to Oscar Wilde (MS Clark), G1 The Albany, 7 September 1894.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 607.

Lane, John, and Elkin Mathews. “Signed Letter from the Bodley Head to Oscar Wilde (Draft in Clark), 21 September 1894.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 612.

Laroche, Rebecca. “The Sonnets on Trial: Reconsidering the Portrait of Mr. W.H.” Shakespeare’s Sonnets: Critical Essays, edited by James Schiffer, Garland Publishing, 1999.

Liang, Yuanyuan. “An Estranged Perception: Metatheatricality of Oscar Wilde’s The Happy Prince and Other Tales.” Children’s Literature in Education, June 2021. DOI.org (Crossref), https://doi.org/10.1007/s10583-021-09456-7.

---. “Dance of Estrangement: Paragraphisions in Oscar Wilde’s Fairy Tales.” Children’s Literature in Education, vol. 51, no. 4, Dec. 2020, pp. 544–55. DOI.org (Crossref), https://doi.org/10.1007/s10583-019-09397-2.

---. “The Influence of Oscar Wilde’s Fairy Tales on W. B. Yeats’s THE CAP AND BELLS.” A Quarterly Journal of Short Articles, Notes and Reviews, Aug. 2019, pp. 1–5, https://doi.org/10.1080/0895769X.2019.1656998.

Liang, Yuanyuan, and Fei Zheng. “Music of Love, Beauty and the Good: A Platonic Reading of Oscar Wilde’s Fairy Tales.” Children’s Literature in Education, 2018, pp. 82–94, https://doi.org/10.1007/s10583-018-9360-z.

Logan, Kelley Lynne. The Song of the Nightingale: Form and Function in Oscar Wilde’s Fairy Tales. 1999. Florida State UniversityUMI.

Luthra, Neelima. “Allegories of the Self: Subjectivity and Sexuality in Enchanted Lands in Oscar Wilde’s Fairy Tales.” A Giant’s Garden : Special ‘Fairy Tales’ Issue, https://web.archive.org/web/20101014195757/http://www.oscholars.com/TO/Specials/Tales/Luthra.htm. Accessed 16 Feb. 2021.

Lyke, Patrice Phelan. A Rhetorical Critique of Oscar Wilde’s Fairy Tales. no. 7, 1999. Texas Woman’s UniversityUMI. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=1999097482&lang=es&site=ehost-live.

Maclear, Kyo. “Selfish Giants and Child Redeemers: Refiguring Environmental Hope in Oscar Wilde’s and Clio Barnard’s The Selfish Giant.” Jeunesse: Young People, Texts, Culture, vol. 10, no. 1, Summer 2018, pp. 41–57. MLA International Bibliography, EBSCOhost, https://doi.org/10/gh6xfp.

Markey, Anne. Oscar Wilde’s Fairy Tales: Origins and Contexts. Irish Academic Press, 2011.

---. “Oscar Wilde’s Short Fiction: The Hermeneutics of Storytelling.” Oscar Wilde, edited by Jarlath Killeen, Irish Academic Press, 2011, pp. 71–93.

---. “The True Artistry of Oscar Wilde: Sources and Style in ‘The Canterville Ghost.’” The Ghost Story from the Middle Ages to the Twentieth Century: A Ghostly Genre, edited by Hellen Conrad O’Briain and Julie Anne Stevens, Four Courts Press, 2010, pp. 124–36.

Martin, Robert K. “Oscar Wilde and the Fairy Tale: ‘The Happy Prince’ as Self-Dramatization.” Studies in Short Fiction, vol. 16, no. 1, 1979, pp. 74–74.

Mashilker, A. R. “Reclaiming the Fisherman: Soul Searching and the Subversive in Oscar Wilde’s Fairy Tale.” Quintessential Wilde: His Wordly Place, His Penetrating Philosophy and His Influential Aestheticism, edited by Annette M. Magid, Cambridge Scholars Publishing, 2017, pp. 155–86. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2017580625&lang=es&site=ehost-live.

Mason, Stuart. Bibliography of Oscar Wilde. London : T. Werner Laurie, 1914. Cornell University Library, Internet Archive, http://archive.org/details/cu31924024248258.

---. “‘Who Is Hughes? Or, the Mystery of Mr W. H.’. The Saturday Review, Vol LXVII, No 1757, p. 780.” Bibligraphy of Oscar Wilde, 1914, p. 6.

McCormack, Jerusha. “Wilde’s Fiction(s).” The Cambridge Companion to Oscar Wilde, edited by Peter Raby, Cambridge University Press, 2004, pp. 96–117.

Mikhail, Edward Halim. Oscar Wilde: An Annotated Bibliography of Criticism. Springer, 1978. Open WorldCat, https://archive.org/details/oscarwildeannota00mikh.

---, editor. Oscar Wilde: Interviews and Recollections. Palgrave Macmillan, 1979. DOI.org (Crossref), https://doi.org/10.1007/978-1-349-03926-5.

---, editor. Oscar Wilde: Interviews and Recollections. Palgrave Macmillan, 1979. DOI.org (Crossref), https://doi.org/10.1007/978-1-349-03923-4.

Mikolyzk, Thomas A. Oscar Wilde: An Annotated Bibliography. Greenwood Press, 1993.

Miller, Robyn. Wilde Monsters: The Creation of Aesthete Criminals. 2012. Clemson University.

Monaghan, David M. “The Literary Fairy-Tale: A Study of Oscar Wilde’s ‘The Happy Prince’ and ‘The Star-Child.’” CRCL/RCLC, vol. 1, no. 2, 1974, pp. 156–66.

Morgan Library and Museum. The Fisherman and His Soul: [London]: Proof Sheets with Autograph Corrections, [1891 May 26]. http://corsair.themorgan.org/vwebv/holdingsInfo?bibId=325213.

Moyle, Franny. Constance: The Tragic and Scandalous Life of Mrs Oscar Wilde. John Murray, 2012.

Murray, Isobel. “Introduction.” The Complete Shorter Fiction of Oscar Wilde, Oxford University Press, 1979, pp. 1–18.

Nassaar, Christopher S. “Andersen’s ‘The Shadow’ and Wilde’s ‘The Fisherman and His Soul’: A Case of Influence.” Nineteenth-Century Literature, vol. 50, no. 2, 1995, pp. 217–24.

Nassaar, Christopher S. “Andersen’s the Ugly Duckling and Wilde’s the Birthday of the Infanta.” The Explicator, vol. 55, no. 2, 1997, pp. 83–85, https://doi.org/10.1080/00144940.1997.11484128.

NASSAAR, CHRISTOPHER S. “Oscar Wilde and the (Attempted) Murder of Conscience.” The Wildean, no. 45, 2014, pp. 2–19, https://www.jstor.org/stable/48569590.

Nassaar, Christopher S. “Oscar Wilde’s ‘Lord Arthur Savile’s Crime’ and The Picture of Dorian Gray : Point Counterpoint.” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, vol. 27, no. 3, 2014, pp. 137–43. DOI.org (Crossref), https://doi.org/10/gh6xfn.

---. “Wilde’s the Happy Prince and Other Tales and a House of Pomegranates.” The Explicator, vol. 60, no. 3, 2002, pp. 142–45. DOI.org (Crossref), https://doi.org/10/b7t64z.

Navarre, Joan. “Oscar Wilde, Edward Heron-Allen, and the Palmistry Craze of the 1880s.” English Literature in Transition 1880-1920, vol. 54, no. 2, 2011, pp. 174–84.

Nodelman, Perry. “The Young Know Everything: Oscar Wilde’s Fairy Tales as Children’s Literature.” Oscar Wilde and the Cultures of Childhood, edited by Joseph Bristow, Palgrave Macmillan, 2017, pp. 181–202.

Noon, Gareth. Wilde’s Gracious Enclosures: A Brief Tour. no. 91, 1997, pp. 17–20.

Obed, Leonara R. Villegas. “Approaching an Irony of Difference: The Self as an Outsider in the Short Stories of Oscar Wilde.” Journal of the Short Story in English. Les Cahiers de la nouvelle, no. 29, 29, Sept. 1997. journals.openedition.org, https://journals.openedition.org/jsse/123?lang=en#authors.

O’Connor, Maureen. “Maria Edgeworth’s Fostering Art and the Fairy Tales of Oscar Wilde.” Women’s Studies: An Interdisciplinary Journal, vol. 31, no. 3, 2002, pp. 399–429, https://doi.org/10.1080/00497870212519.

---. “The Spectre of Genre in ‘The Canterville Ghost.’” Irish Studies Review, vol. 12, no. 3, Dec. 2004, pp. 329–38. DOI.org (Crossref), https://doi.org/10.1080/0967088042000267542.

Ohi, Kevin. Innocence and Rapture: The Erotic Child in Pater, Wilde, James, and Nabokov. Palgrave Macmillan, 2005.

Pendlebury, Kate. “The Building of ‘A House of Pomegranates.’” Marvels & Tales, vol. 25, no. 1, 2011, pp. 124–41. Zotero, http://www.jstor.org/stable/41388981.

Peters, John G. “Oscar Wilde’s Aesthetics of Perception.” English Literature in Transition 1880-1920, vol. 63, no. 4, 2020, pp. 559–79, https://muse.jhu.edu/article/751263/.

Pine, Richard. The Thief of Reason: Oscar Wilde & Modern Ireland. St. Martin’s Press, 1995.

Ponciano, Regina M. “Loveable Monsters, Redeemable Men: The Lonely Voice of Oscar Wilde.” Advances in English and American Studies: Current Developments, Future Trends, edited by Pilar Guerrero Medina et al., UCO Press, 2020, pp. 49–56.

Poteet, Lewis J. “Romantic Aesthetics in Oscar Wilde’s ‘Mr. W.H.’” Short Fiction, vol. 7, no. 3, Summer 1970, pp. 458–64.

Puleo, Regina. “Altruism and Redemption in the Fairy Tales of Hans Christian Andersen and Oscar Wilde.” The Wildean: A Journal of Oscar Wilde Studies, vol. 32, Jan. 2008, pp. 78–87. MLA International Bibliography, EBSCOhost, https://www.jstor.org/stable/45269108.

Quintus, John Allen. “The Moral Prerogative in Oscar Wilde: A Look at the Fairy Tales.” The Virginia Quarterly Review, vol. 53, no. 4, 1979, https://www.jstor.org/stable/26435981.

Reader Report for Macmillan, Held in the Macmillan Archive in the British Library (Macmillan MSS Add. 5594. 16 February 1888. Reproduced in Small (2017), Pp. Xxviii, Xxx.

Rojas-Lizana, Sol, et al. “‘Kiss Me on the Lips, for I Love You’ Over A Century of Heterosexism in the Spanish Translation of Oscar Wilde.” International Journal of Comparative Literature and Translation Studies, vol. 6, no. 2, Apr. 2018, pp. 9–18. journals.aiac.org.au, https://doi.org/10.7575/aiac.ijclts.v.6n.2p.9.

Rose, D. C., and Philip E. Smith II. “The Shorter Fiction Approached and Questioned.” Approaches to Teaching the Works of Oscar Wilde, 2008, p. Modern Language Association.

Rosenbach Manuscript of Oscar Wilde’s Extended “The Portrait of Mr W.H.” https://editions.covecollective.org/content/rosenbach-manuscript-oscar-wildes-extended-portrait-mr-wh. Accessed 5 Sept. 2022.

Ross, Robert Baldwin, et al., editors. Oscar Wilde: Manuscripts, Autograph Letters, First Editions. Dulau & Co LTD, 1920. University of California Libraries, Internet Archive, http://archive.org/details/collectionoforig00adulrich.

Ruddick, Nicholas. “Teaching Wilde’s Fairy Tales: Aestheticism as Social and Cultural Critique in ‘The Happy Prince’ and ‘The Nightingale and the Rose.’” Approaches to Teaching the Works of Oscar Wilde, edited by Philip E. Smith II, Modern Language Association, 2008, pp. 93–99.

Ruggaber, Michelle. “Wilde’s *The Happy Prince* and *A House of Pomegranates*: Bedtime Stories for Grown-Ups.” English Literature in Transition 1880-1920, vol. 46, no. 2, 2003, pp. 141–53.

Rutledge, Amelia A. Flowers of Love, Death, and Redemption: Wagnerian Motifs in Oscar Wilde’s ‘The Fisherman and His Soul’ and ‘The Nightingale and the Rose.’ 14 Oct. 2010, https://web.archive.org/web/20101014201124/http://www.oscholars.com/TO/Specials/Tales/Opera_Ruttledge.htm.

Saint-Amour, K. “Oscar Wilde: Orality, Literary Property, and Crimes of Writing.” Nineteenth-Century Literature, vol. 55, no. 1, 2000, pp. 59–91. Zotero, https://doi.org/10.2307/2903057.

Sañudo, Belén Lozano. “Borges y la traducción. Análisis de su primera incursión práctica: El príncipe feliz de Oscar Wilde.” . . pp., vol. 4, no. 1, 2011, pp. 38–47.

Sanz Casares, María Concepción. El Universo de Los Cuentos de Oscar Wilde. Secretariado de Publicaciones e Intercambio Científico, Universidad de Valladolid, 1996.

Schroeder, Horst. Additions and Corrections to Richard Ellmann’s Oscar Wilde. Privately Printed, 1989.

---. Oscar Wilde, ’The Portrait of Mr W.H.’—Its Composition, Publication and Reception. Technische Universität Carolo-Wilhelmina zu Braunschweig, 1984.

---. “Some Historical & Literary References in Oscar Wilde’s ‘The Birthday of the Infanta.’” Literatur in Wissenschaft Und Unterricht, no. 4, 1988, pp. 289–92.

Schultz, Matthew. “Coalescing Oscar Wilde: Discussing Wilde’s Decadent Aesthetic Using His Essays, Fairy Tales, and Biography.” Eureka Studies in Teaching Short Fiction, vol. 9, no. 2, 2009 Spring 2009, pp. 79–88. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2009300770&lang=es&site=ehost-live.

Serra, Alessandra. “De-Centering Myths: Postmodernism Echoes in Oscar Wilde’s Poems in Prose.” Rivista Di Studi Vittoriani, vol. 14, 2002, pp. 63–75.

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Siegel, Sandra. “Wilde’s Use and Abuse of Aphorisms.” Newsletter of the Victorian Studies Association of Western Canada, vol. 12, 1986, pp. 16–26. Zotero, https://www.jstor.org/stable/27794072.

Small, Ian. “Introduction: Poems and Poems in Prose.” The Complete Works of Oscar Wilde: Poems and Poems in Prose: Volume I, edited by Bobby Fong and Karl Beckson, Oxford University Press, 2007.

---. “Introduction: The Short Fiction.” The Complete Works of Oscar Wilde: Volume VIII The Short Fiction, edited by Ian Small, Oxford University Press, 2017, pp. xi–lxxxiii.

---. “‘Some Studies in Prose’: The Beginnings of Wilde’s Career in Fiction.” The Wildean, no. 46, 2015, pp. 2–20. JSTOR, JSTOR, https://www.jstor.org/stable/48571625.

---. “‘The Portrait of Mr W. H.’, Textual Identity, and Oscar Wilde’s ‘Incalculable Injury.’” English Literature in Transition 1880-1920, vol. 63, no. 4, 2020, pp. 509–32, https://muse.jhu.edu/article/751261.

Smith, Lindsay. “‘Play[Ing] Narcissus to a Photograph’: Oscar Wilde and the Image of the Child.” Oscar Wilde and the Cultures of Childhood, Palgrave Macmillan, 2017, pp. 41–68.

Snider, Clifton. “Eros and Logos in Some Fairy Tales by Oscar Wilde: A Jungian Interpretation.” Victorian Newsletter, vol. 84, Fall 1993, pp. 1–8. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=1993067513&lang=es&site=ehost-live.

Stevens, Jennifer. “The Afterlife of Oscar Wilde’s Oral Tales.” The Historical Jesus and the Literary Imagination 1860–1920, Liverpool University Press, 2010. DOI.org (Crossref), https://doi.org/10.2307/j.ctt5vjbx8.

Straley, Jessica. “Oscar Wilde’s Fairy Tales and the Evolution of Lying.” Oscar Wilde and the Cultures of Childhood, Palgrave Macmillan, 2017, pp. 159–80, https://doi.org/10.1007/978-3-319-60411-4_7.

Susan, Chitra. The Goodness in Sin: A Protest against Utilitarianism in Short Stories by Oscar Wilde. no. 4, 2020, p. 4.

Talairach-vielmas, Laurence. Review A Giant’ s Garden: Special “Fairy Tales” Issue. no. 2, 2019, pp. 392–94.

Tatar, Maria. “The Aesthetics of Altruism in Oscar Wilde’s Fairy Tales.” Oscar Wilde and the Cultures of Childhood, Palgrave Macmillan, 2017, pp. 145–57.

Tattersall, Carol Ann. “An Immodest Proposal: Rereading Oscar Wilde’s ‘Fairy Tales.’” Wascana Review, vol. 26, no. 1–2, 1991, pp. 128–39.

---. Oscar Fingal O’Flahertie, The Wilde Colonial Boy: Social and Political Subversion in Oscar Wilde’s Fairy Tales. 1998. University of Toronto, p. 274.

“The Annotated Portrait of Mr. W.H.” The Annotated Portrait of Mr. W.H., https://portraitofmrwh.wordpress.com/. Accessed 4 Nov. 2020.

The Canterville Ghost. Directed by Syd Macartney, 1996, https://www.imdb.com/title/tt0115820/.

---. Directed by Jules Dassin and Norman Z. McLeod, Metro-Goldwyn-Mayer (MGM), 1944. IMDb, https://www.imdb.com/title/tt0036696/?ref_=tt_sims_tt_i_2.

---. Directed by Paul Bogart, Columbia Pictures Television, HTV, Inter-Hemisphere, 1986. IMDb, https://www.imdb.com/title/tt0090792/?ref_=fn_al_tt_4.

The Happy Prince. Directed by Rupert Everett, Maze Pictures,  Entre Chien et Loup,  Palomar, 2018.

Thompson, Mary Shine. “The Importance of Not Being Earnest: Children and Oscar Wilde’s Fairy Tales.” New Review of Children’s Literature and Librarianship, vol. 7, no. 1, 2001, pp. 191–204. DOI.org (Crossref), https://doi.org/10/crhpjp.

Thurschwell, Pamela. “Theory to Die for: Lunging at the Arras in Wilde’s The Portrait of Mr. W. H. and James’s ‘The Figure in the Carpet.’” The Henry James Review, vol. 39, no. 1, 2018, pp. 1–22. DOI.org (Crossref), https://doi.org/10.1353/hjr.2018.0000.

Tintner, Adeline R. “A Rothschild Anecdote as a Source for Oscar Wilde’s ‘The Model Millionaire.’” Notes and Queries, vol. 24, 1977 1977, pp. 45–46. MLA International Bibliography, EBSCOhost, https://doi.org/10/gh6xft.

Tippin, R. Eric. “The Trick of Modernist Difficulty: Oscar Wilde, G. K. Chesterton and the Essay.” English Literature in Transition 1880-1920, vol. 62, no. 3, 2019, pp. 391–413. MLA International Bibliography, EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2019582276&lang=es&site=ehost-live.

Tremper, Ellen. “Commitment and Escape: The Fairy Tales of Thackeray, Dickens, and Wilde.” The Lion and the Unicorn, vol. 2, no. 1, 1978, pp. 38–47, https://doi.org/10/gh6xdt.

Valls Oyarzun, Eduardo. “El Arte Por El Dolor: Resemantización Estética de La Crueldad En ‘The Birthday of the Infanta’ de Oscar Wilde.” Estudios Irlandeses: Journal of Irish Studies, vol. 15, 2020, pp. 130–42. MLA International Bibliography, EBSCOhost, https://doi.org/10/gh6xfq.

Vernadakis, Emmanuel. Crosscut Voices and Broken Ideals in “The Happy Prince” by Oscar Wilde. 2018. DOI.org (Datacite), https://doi.org/10.21412/LEAVES_0507.

---. Bouygues, Élodie, et al., editors. “Contrastes, interaction et croisements dans Le Prince Heureux et autres contes d’Oscar Wilde : du contexte au co-texte.” Formes Brèves En Littérature De Jeunesse, Presses universitaires de Franche-Comté, 2021, pp. 63–82.

Walsh, Kerrie. “Oscar Wilde and the Evolution of the Gothic in an Age of Epistemological Upheaval | COVE.” COVE Collective, 25 Feb. 2021, https://editions.covecollective.org/edition/oscar-wilde-and-evolution-gothic-age-epistemological-upheaval.

Walters, Cuming. “‘The Mystery of Shakespeare’s Sonnets: An Attempted Elucidation’. 1899, p. 16.” Bibliography of Oscar Wilde.

Whiteley, Giles. “Cosmopolitan Space: Political Topographies in ‘Lord Arthur Savile’s Crime.’” Victoriographies, vol. 7, no. 2, 2017, pp. 124–42, https://doi.org/10.3366/vic.2017.0267.

Wilburn, Lydia Reineck. Oscar Wilde’s “The Canterville Ghost”: The Power of an Audience. 2011, pp. 41-.

Wilde, Oscar. A House of Pomegranates. First Edition, London, J. R. Osgood, McIlvaine, 1891. Internet Archive, http://archive.org/details/houseofpomegrana00wild.

---. Complete Short Fiction. Edited by Ian Small, Penguin Books, 2003. Open WorldCat, https://www.overdrive.com/search?q=9D9ACB6F-0E56-4343-9B7A-CD26BCA3FA5C.

---. Complete Works of Oscar Wilde: The Happy Prince and Other Tales, Lord Arthur Saville’s [Sic] Crime and Other Prose Pieces. Edited by Robert Baldwin Ross, Wyman-Fogg Co., 1921. Internet Archive, http://archive.org/details/cu31924103377028.

---. Lord Arthur Savile’s Crime and Other Prose Pieces. Edited by Robert Ross, Methuen and Co, 1908, https://www.archive.org/stream/lordarthursavil02wildgoog/lordarthursavil02wildgoog_djvu.txt.

---. Prose Poems. Edited by Robert Baldwin Ross, The Wyman-Fogg company, 1908. Internet Archive, http://archive.org/details/completeworksos00rossgoog.

---. “Signed Letter to Alexander Galt Ross (MS Private), 16 Tite Street, ? Early 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 393.

---. “Signed Letter to Alfred Nut (MS Clark), 16 Tite Street, ca. 13 June 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 350.

---. “Signed Letter to Alfred Nutt (MS Private), 29 Boulevard Des Capucines, Circa 15 November 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 494.

---. “Signed Letter to Alice Corkran, 16 Tite Street, ca. November 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 370.

---. “Signed Letter to Amelie Rives Chanler (MS Boston), 16 Tite Street, January 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 388.

---. “Signed Letter to an Unidentified Correspondent (Most Probably Arthur Severn) (MS Montague), 16 Tite Street, ? July 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 355.

---. “Signed Letter to an Unidentified Correspondent (MS Simpson), 16 Tite Street, 30 19 November 1889 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 414.

---. “Signed Letter to Arthur Conan Doyle,  ? April 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 478.

---. “Signed Letter to Aubrey Richardson (MS Clark), 16 Tite Street, ? 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 418.

---. “Signed Letter to Beatrice Allhusen  (TS Holland), 16 Tite Street, ? Early 1890.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 425.

---. “Signed Letter to Bernard Partridge (MS Clarke), 16 Tite Street, Postmark 12 October 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 359.

---. “Signed Letter to Bertram Grosvenor Goodhue (MS Clark), 16 Tite Street, June 1893.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 567.

---. “Signed Letter to Blanche Medhurst (MS Private), 16 Tite Street, Summer 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 353.

---. “Signed Letter to Charles Ricketts (MS Texas), 16 Tite Street, ? Autumn 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 412.

---. “Signed Letter to Dodd, Mead & Co.(MS Hyde), 16 Tite Street, 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 510.

---. “Signed Letter to Edward Heron-Allen, 16 Tite Street, Postmark 17 October 1887.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 328.

---. “Signed Letter to Elkin Mathews and John Lane (MS Clark), 5 Esplanade, Worthing, September 1894.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 609.

---. “Signed Letter to Elkin Mathews and John Lane (MS Folger), 5 Esplanade, Worthing, circa 8 September 1894.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 606.

---. “Signed Letter to Elkin Mathews and John Lane (MS Johns Hopkins), 5 Esplanade, Worthing, circa 22 September 1894.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, pp. 612–13.

---. “Signed Letter to F.H. Townsend (MS Simpson), 16 Tite Street, Early February 1887.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 294.

---. “Signed Letter to Florence Stoker, June 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 349.

---. “Signed Letter to George Macmillan (MS Macmillan), 16 Tite Street, January 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 385.

---. “Signed Letter to G.H. Kersley (MS F Hyde), 16 Tite Street, 15 June 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 352.

---. “Signed Letter to Gleeson White (MS Clark), 16 Tite Street, ? November 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 370.

---. “Signed Letter to Harry Melvill (MS Clark), 16 Tite Street, ? June 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 352.

---. “Signed Letter to HSH the Princess of Monaco (MS Clark), 29 Boulevard Des Capucines, Paris, ? Late November 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 494.

---. “Signed Letter to HSH the Princess of Monaco (MS Hyde), ?28 October 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 491.

---. “Signed Letter to Jacomb Hood (MS Princeton), 16 Tite Street, Early 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 345.

---. “Signed Letter to James Nicol Dunn (MS Hyde), 16 Tite Street, November-December 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 371.

---. “Signed Letter to J.M. Stoddart, 16 Tite Street, 30 September 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 413.

---. “Signed Letter to J.M. Stoddart (MS Clark), 16 Tite Street, Date of Receipt 17 December 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 416.

---. “Signed Letter to John Lane (MS Clark), 5 Esplanade, Worthing, August 1894.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, pp. 604–05.

---. “Signed Letter to John Lane (MS Morgan), 5 Esplanade, Worthing, 3 September 1894.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 606.

---. “Signed Letter to John Lane, Office of the *Yellow Book*, circa Late September 1894.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 617.

---. “Signed Letter to John Ruskin (MS Berg), 16 Tite Street, June 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 349.

---. “Signed Letter to John Williams (MS Gentry), 16 Tite Street, Postmark 19 October 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 362.

---. “Signed Letter to Jules Cantel (F Cantel),  ? Summer 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 487.

---. “Signed Letter to Leonard Smithers (MS Hyde), 16 Tite Street, Postmark 13 July 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 355.

---. “Signed Letter to Leonard Smithers (MS Hyde), 16 Tite Street, Postmark 13 July 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 355.

---. “Signed Letter to Mrs W.H. Grenfel (MS Grenfell), 16 Tite Street, Early July 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, pp. 484–85.

---. “Signed Letter to Mrs W.H. Grenfel (MS Grenfell), 29 Boulevard Des Capucines, Postmark of Receipt 12 November 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 493.

---. “Signed Letter to Richard Le Gallienne (MS Hyde), 16 Tite Street, Postmark 5 December 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 375.

---. “Signed Letter to Richard Le Gallienne (MS Hyde), 16 Tite Street, Postmark 13 April 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 396.

---. “Signed Letter to Robert Ross (MS Clark), 16 Tite Street, July 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 408.

---. “Signed Letter to Robert Ross (MS Morgan), Kreuznach, July 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 409.

---. “Signed Letter to Stéphane Mallarmé  (MS Bonniot), Hôtel de l’Athénée, 14 Rue Scribe, Paris, Postmark 25 February 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 471.

---. “Signed Letter to the Editor of the *Pall Mall Gazette* (MS Hyde), 29 Boulevard Des Capucines, Paris, Published 11 December 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 503.

---. “Signed Letter to the Editor of the *Speaker*, 29 Boulevard Des Capucines, Paris, Published 5 December 1891.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 501.

---. “Signed Letter to the Librarian of Toynbee Hall (MS Clark), 16 Tite Street, Postmark 4 July 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 354.

---. “Signed Letter to Thomas Hutchinson (MS Hyde), 16 Tite Street, 13 July 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 355.

---. “Signed Letter to W. Graham Robertson (MS Princeton), 16 Tite Street, ? Early 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 347.

---. “Signed Letter to W. Graham Robertson (MS Princeton), 16 Tite Street, ? Early 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 347.

---. “Signed Letter to W.E. Gladstone (MS British Library), 16 Tite Street, June 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 350.

---. “Signed Letter to W.E. Henley (MS Morgan), 16 Tite Street, ? December 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 372.

---. “Signed Letter to W.E. Henley (MS Morgan), 16 Tite Street, ? December 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, pp. 372–73.

---. “Signed Letter to W.E. Henley (MS Morgan), 16 Tite Street, July 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 409.

---. “Signed Letter to Wemyss Reid (MS Gentry), 16 Tite Street, ? October 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 363.

---. “Signed Letter to Wemyss Reid (MS Gentry), 16 Tite Street, ? October 1888.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 363.

---. “Signed Letter to W.H. Pollock (MS Bucknell), 16 Tite Street, ? January 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 387.

---. “Signed Letter to Whitelaw Reid (MS Congress), 16 Tite Street, April 1887.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 295.

---. “Signed Letter to Whitelaw Reid (MS Congress), 16 Tite Street, Late April 1887.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 299.

---. “Signed Letter to William Blackwood (MS Edinburgh), 16 Tite Street, 7 July 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 405.

---. “Signed Letter to William Blackwood (MS Edinburgh), 16 Tite Street, 10 July 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 407.

---. “Signed Letter to William Blackwood (MS Edinburgh), 16 Tite Street, 12 June 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 402.

---. “Signed Letter to William Blackwood (MS Edinburgh), 16 Tite Street, 18 May 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 400.

---. “Signed Letter to William Blackwood (MS Edinburgh), 16 Tite Street, 30 May 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 401.

---. “Signed Letter to William Blackwood (MS Edinburgh), 16 Tite Street, April 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 398.

---. “Signed Letter to William Blackwood (MS Edinburgh), 16 Tite Street, circa 6 June 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, pp. 401–02.

---. “Signed Letter to William Blackwood (MS Edinburgh), 16 Tite Street, circa 22 May 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 400.

---. “Signed Letter to William Rockstro (MS Hyde), 16 Tite Street, July 1889.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 408.

---. “Signed Response to James McNeill’s Accusation of Plagiarism, *Truth*, 9 January 1890, Xxvii, 51.” The Critical Heritage: Oscar Wilde, edited by Karl Beckson, Routledge, 2005, p. 61.

---. “Telegram to Elkin Mathews and John Lane (MS Clark), Worthing, 17 August 1894.” The Complete Letters of Oscar Wilde, edited by Merlin Holland and Rupert Hart-Davis, Henry Holt and Company, 2000, p. 604.

---. The Happy Prince and Other Tales. First Edition, David Nutt, 1888. Internet Archive, http://archive.org/details/happyprinceother02wild.

---. The Short Stories of Oscar Wilde: An Annotated Selection. Edited by Nicholas Frankel, Harvard University Press, 2020.

---. Volume VIII: The Short Fiction. Edited by Ian Small, Oxford University Press, 2017.

Wood, Naomi. “Creating the Sensual Child: Paterian Aesthetics, Pederasty, and Oscar Wilde’s Fairy Tales.” Marvels & Tales, vol. 16, no. 2, 2002, pp. 156–70. Zotero, https://doi.org/10/cmsr32.

Wright, T. E., editor. Table Talk. Cassell, 2000, https://books.google.es/books?id=q76uQgAACAAJ.

Yeats, W. B. “Signed Introduction to Volume Iii, The Complete Works of Oscar Wilde, New York, 1923, Ix- Xvi.” The Critical Heritage of Oscar Wilde, edited by Karl Beckson, Routledge, 2005, p. 410.

Zipes, Jack. When Dreams Came True: classNameical Fairy Tales and Their Tradition. 2nd ed, Routledge, 2007.